Rating: 4/5 stars
I don’t know what I expected from this book, but it wasn’t a dystopian urban sci-fi action-packed adventure story. In what was once the city of Chicago, supervillains called Epics have taken over, the government is no longer in control, and one Epic named Steelheart has killed David’s father. David vows vengeance on Steelheart and that’s basically where this book takes off.
I was a little nervous going into this book—in fact, I kept putting off starting it for months—because it doesn’t seem like my genre and I didn’t think I was going to like it. But Brandon Sanderson wrote it so obviously I had to read it. And I should have known not to doubt him.
I hate to be stereotypical, but this felt like such a “guy book.” Action-packed superhero story, full of guns and fight scenes and near-death escapes in an urban setting, most of the characters male except for the one BA hot female of the group. I think Steelheart would make an amazing movie. This is totally different from anything else Brandon Sanderson has written, and I much prefer his epic fantasies and cosmere stories, but this was still surprisingly good.
There is some pretty sweet technology and weaponry in this book. I have to give it up to Sanderson for coming up with it all because it’s quite unique. He always has great technology uses in his books, which I love.
David’s a pretty cool protagonist, but his metaphors are consistently so bad. SO bad. They don’t make sense most of the time, but that’s the point. Sanderson writes quite a bit of humor into this book and I appreciated it because it kept me entertained.
I have to admit that I didn’t really care for the book at first, but the story grew on me. I shouldn’t have doubted Sanderson; even in a style of book I don’t normally reach for, he still managed to make me enjoy the story and care about the characters.
Steelheart was an incredible and fun read. There was lots of action, great banter, and super sweet technology, which was my personal favorite part. While I do think this book is geared toward teenage boys, I also think it can be enjoyed by a wider audience as well, as is evidenced by my liking it. I really did not expect to love it as much as I did, but I can say with certainty now that this is a new favorite and that I’m so excited to continue on with the series because I was worried I’d have to push myself to read the other two installments, but now I know that I’ll enjoy them.
I gave it four instead of five stars because I struggled to get into the book and connect with the story or characters during the first third, but the action scenes throughout and that crazy ending more than made up for it because holy cow was that a ride.
It’s very interesting the revelation they make about Epics at the end. I can see threads of that idea throughout the story now that I know what I’m looking for. Sanderson is so good at foreshadowing his reveals and I love that I never see the clues until I know the ending and then go back and pick apart the story; he still gets me every time.
Tuesday, August 20, 2019
Thursday, August 1, 2019
Review: THE DEATH OF MRS. WESTAWAY by Ruth Ware
Rating: 3/5 stars
I was in the mood for a thriller so I picked this up, but Ruth Ware’s books are more slow-burn mysteries than thrillers so that was my bad because I ended up being a bit disappointed at the pace of the book. The beginning did set a nice tone for the story and give good background information about Hal and her financial situation and motivations for going to the estate, but I was still hoping for something a bit quicker-paced.
The way Hal is so focused on money, how getting caught in the rain means she’ll have to use more heat when she gets home and that will cost her money that she doesn’t have, that is so relatable. The beginning was quite a bit darker than I wanted it to be, but I really do think it was necessary in this book to set the right tone.
I liked The Death of Mrs. Westaway more than The Woman in Cabin 10, but this one, like that one, starts out grim and gritty, and I have realized I don’t really like reading contemporaries that dark. Both of those books’ protagonists have someone break into their home at the beginning of the story, and I don’t want to read about dark real-world problems like that; that does not lend well to escaping into fiction when it feels so real. So that’s a personal preference, not a fault of the book or author, but it did make me a bit hesitant to pick up this book at times, although it did get more enjoyable for me as the story went on.
Unfortunately, The Death of Mrs. Westaway felt like a lower quality and less engaging version of a Kate Morton book. I love Kate Morton’s books so much, and while The Death of Mrs. Westaway had a lot of similar aspects as Morton’s books, it’s just not as well-written with fewer twists and turns in the mystery and a less satisfying ending.
One aspect of the story I did really enjoy was the tarot card motif, how Hal looks at cards throughout the story and even though she tells herself not to believe them, the cards still foreshadow what’s to come in the narrative.
I guessed the ending, but I guess I still don’t understand the motivations. Why were secrets kept? I don’t think it was all that exciting, like everyone should have just told the truth from the beginning; what was there to cover up when the people they were trying to hide the information from knew it anyway? The ending was pretty underwhelming, honestly, and it left me wishing there was more to the story.
The Death of Mrs. Westaway was a decent book; I enjoyed it but I didn’t love it. I don’t think Ruth Ware’s writing style is quite for me, and I don’t know that I’ll be reading any future books from her when there are other similar books that I know I’ll enjoy so much more.
I was in the mood for a thriller so I picked this up, but Ruth Ware’s books are more slow-burn mysteries than thrillers so that was my bad because I ended up being a bit disappointed at the pace of the book. The beginning did set a nice tone for the story and give good background information about Hal and her financial situation and motivations for going to the estate, but I was still hoping for something a bit quicker-paced.
The way Hal is so focused on money, how getting caught in the rain means she’ll have to use more heat when she gets home and that will cost her money that she doesn’t have, that is so relatable. The beginning was quite a bit darker than I wanted it to be, but I really do think it was necessary in this book to set the right tone.
I liked The Death of Mrs. Westaway more than The Woman in Cabin 10, but this one, like that one, starts out grim and gritty, and I have realized I don’t really like reading contemporaries that dark. Both of those books’ protagonists have someone break into their home at the beginning of the story, and I don’t want to read about dark real-world problems like that; that does not lend well to escaping into fiction when it feels so real. So that’s a personal preference, not a fault of the book or author, but it did make me a bit hesitant to pick up this book at times, although it did get more enjoyable for me as the story went on.
Unfortunately, The Death of Mrs. Westaway felt like a lower quality and less engaging version of a Kate Morton book. I love Kate Morton’s books so much, and while The Death of Mrs. Westaway had a lot of similar aspects as Morton’s books, it’s just not as well-written with fewer twists and turns in the mystery and a less satisfying ending.
One aspect of the story I did really enjoy was the tarot card motif, how Hal looks at cards throughout the story and even though she tells herself not to believe them, the cards still foreshadow what’s to come in the narrative.
I guessed the ending, but I guess I still don’t understand the motivations. Why were secrets kept? I don’t think it was all that exciting, like everyone should have just told the truth from the beginning; what was there to cover up when the people they were trying to hide the information from knew it anyway? The ending was pretty underwhelming, honestly, and it left me wishing there was more to the story.
The Death of Mrs. Westaway was a decent book; I enjoyed it but I didn’t love it. I don’t think Ruth Ware’s writing style is quite for me, and I don’t know that I’ll be reading any future books from her when there are other similar books that I know I’ll enjoy so much more.
Review: DREAMER by Brandon Sanderson
Rating: 4/5 stars
I had no idea this short story existed until yesterday when I was scrolling through the list of Brandon Sanderson’s books on Goodreads and saw this and then I immediately went looking for it because I needed to read it.
Dreamer is one of Brandon’s shortest stories, yet it was one I enjoyed the most. This was crazy to me since I generally don’t like short fiction, but the concept here was so dang cool that I couldn’t help but love it. I don’t want to say what the story is about because that is a spoiler, so just jump in blind and enjoy it. I read the whole story in one sitting and loved every second of its fast-paced thrilling action.
Sanderson could truly write a whole novel about the idea behind this story because of how neat it is, and I’d be so down to read that. I really don’t know how he has an endless supply of unique story concepts, be he never disappoints me.
I had no idea this short story existed until yesterday when I was scrolling through the list of Brandon Sanderson’s books on Goodreads and saw this and then I immediately went looking for it because I needed to read it.
Dreamer is one of Brandon’s shortest stories, yet it was one I enjoyed the most. This was crazy to me since I generally don’t like short fiction, but the concept here was so dang cool that I couldn’t help but love it. I don’t want to say what the story is about because that is a spoiler, so just jump in blind and enjoy it. I read the whole story in one sitting and loved every second of its fast-paced thrilling action.
Sanderson could truly write a whole novel about the idea behind this story because of how neat it is, and I’d be so down to read that. I really don’t know how he has an endless supply of unique story concepts, be he never disappoints me.
Review: THE EMPEROR'S SOUL by Brandon Sanderson
Rating: 5/5 stars
I loved this novella. I love the idea of using art as a form of magic, being able to create whatever you want and give different form and history to any object. Shai and her forgery is one of the best cosmere stories I’ve read.
I’m very curious to see a sequel to this story, and I hope we get one some day. I would love to see The Emperor’s Soul tie into Elantris, like how the magic systems overlap or something since they take place in the same world. Both stories share different but intriguing parts of the world of Sel, and I am really interested in seeing more of this world someday.
I’m not big on short stories or novellas but The Emperor’s Soul is worth the read. It’s long enough to have some merit to it but short enough to leave you wanting more.
I wanted to wait to read this after Elantris because the stories take place in the same world, and although the magic systems are in the same vein, the overlap is so minimal that it really doesn’t matter if you read this story before or after Elantris.
There was rarely an obvious branching point in a person’s life. People changed slowly, over time. You didn’t take one step, then find yourself in a completely new location. You first took a little step off a path to avoid some rocks. For a while, you walked alongside the path, but then you wandered out a little way to step on softer soil. Then you stopped paying attention as you drifted farther and farther away. Finally, you found yourself in the wrong city, wondering why the signs on the roadway hadn’t led you better.
I loved this novella. I love the idea of using art as a form of magic, being able to create whatever you want and give different form and history to any object. Shai and her forgery is one of the best cosmere stories I’ve read.
I’m very curious to see a sequel to this story, and I hope we get one some day. I would love to see The Emperor’s Soul tie into Elantris, like how the magic systems overlap or something since they take place in the same world. Both stories share different but intriguing parts of the world of Sel, and I am really interested in seeing more of this world someday.
I’m not big on short stories or novellas but The Emperor’s Soul is worth the read. It’s long enough to have some merit to it but short enough to leave you wanting more.
I wanted to wait to read this after Elantris because the stories take place in the same world, and although the magic systems are in the same vein, the overlap is so minimal that it really doesn’t matter if you read this story before or after Elantris.
Review: THE NEAR WITCH by V. E. Schwab
Rating: 4.5/5 stars
I was browsing my shelves for what to read next and this book kept jumping out at me. It wasn’t on my immediate to-read list but I decided to pick it up anyway because I thought I’d be in the right mood to love it, and I was right; it was just the whimsical slow-burn light fantasy that I wanted.
The Near Witch follows Lexi as she tries to figure out why little children are disappearing at night following the day when a stranger came to their town of Near where strangers never come. The book is very atmospheric and I loved the small-town setting. It feels like a fantasy only in the way that books set in the distant past feel like fantasy because of the medieval setting and the time period. There is a magical quality to the book, almost like a fairy tale, and I absolutely loved the whole thing.
There wasn’t a lot of characterization in the story. There is a bit of insta-love in here though, but I actually don’t mind insta-love that much; it was cute and I loved both the characters.
This book is very much focused on the plot at hand, what Lexi is doing to find the children going missing. We don’t learn too much about her past or about how life in the village works or about her friendship with Helena, and I think some more outside information would have been nice, especially like what lies beyond the hills of Near, but the way it is written now has a strong fairy tale aspect and adding too much to it would make it lose that special magic.
I like the wind magic in the book and the ability to manipulate earth and make plants grow. The witches’ abilities are pretty cool, not the traditional kind of magic I normally see, and I appreciated that.
The Near Witch is marketed as adult fantasy, but really it should be in young adult, or even middle grade, because this story is too precious for the adult genre.
I really enjoyed this book. I thought it was very sweet, and it got darker than I expected it to. I loved Lexi and Cole and their relationship and the ending and basically the whole thing. I was worried going into this book that I wouldn’t like it as much since it’s Schwab’s debut novel, but I actually think I liked The Near Witch better than the Shades of Magic series; it was just too precious. It’s a beautiful little fairy tale–esque story that was ethereal and magical and calming; it was exactly what I needed at this moment.
I was browsing my shelves for what to read next and this book kept jumping out at me. It wasn’t on my immediate to-read list but I decided to pick it up anyway because I thought I’d be in the right mood to love it, and I was right; it was just the whimsical slow-burn light fantasy that I wanted.
The Near Witch follows Lexi as she tries to figure out why little children are disappearing at night following the day when a stranger came to their town of Near where strangers never come. The book is very atmospheric and I loved the small-town setting. It feels like a fantasy only in the way that books set in the distant past feel like fantasy because of the medieval setting and the time period. There is a magical quality to the book, almost like a fairy tale, and I absolutely loved the whole thing.
There wasn’t a lot of characterization in the story. There is a bit of insta-love in here though, but I actually don’t mind insta-love that much; it was cute and I loved both the characters.
This book is very much focused on the plot at hand, what Lexi is doing to find the children going missing. We don’t learn too much about her past or about how life in the village works or about her friendship with Helena, and I think some more outside information would have been nice, especially like what lies beyond the hills of Near, but the way it is written now has a strong fairy tale aspect and adding too much to it would make it lose that special magic.
I like the wind magic in the book and the ability to manipulate earth and make plants grow. The witches’ abilities are pretty cool, not the traditional kind of magic I normally see, and I appreciated that.
The Near Witch is marketed as adult fantasy, but really it should be in young adult, or even middle grade, because this story is too precious for the adult genre.
I really enjoyed this book. I thought it was very sweet, and it got darker than I expected it to. I loved Lexi and Cole and their relationship and the ending and basically the whole thing. I was worried going into this book that I wouldn’t like it as much since it’s Schwab’s debut novel, but I actually think I liked The Near Witch better than the Shades of Magic series; it was just too precious. It’s a beautiful little fairy tale–esque story that was ethereal and magical and calming; it was exactly what I needed at this moment.
Saturday, July 27, 2019
Review: I AM THE MESSENGER by Markus Zusak
Rating: 2.5/5 stars
Ed was a fine character, but I didn’t particularly connect with him or like him. I didn’t dislike him either though. I did think the book’s plot was smart. The ending was pretty great too, and although I should have guessed it, I didn’t. But then the actual ending after the reveal was disappointing and left me with the obvious questions of who? I don’t like not getting answers in my books.
I like the message of this book: everyone is struggling with something and everyone needs help, and anyone can benefit and feel better after serving another. I think that’s a great takeaway.
Although this book grew on me the more I read it, I was still just feeling very meh about the whole thing by the end.
If I Am the Messenger wasn’t written by Markus Zusak, I doubt I would have read it. This is my fifth book by him, and the only good one was The Book Thief, unfortunately. I wish I liked them all, but I don’t. I still have Bridge of Clay left but once I read that I’ll have read all Zusak’s books. That one’s a similar situation: I don’t think I would read it if it wasn’t by Zusak, but because it is, I do want to read it. But I also don’t think I’m going to like it though, just based on what I’ve heard about the story and what I know about my own reading tastes. I’m becoming increasingly convinced that The Book Thief was a one-hit-wonder by Zusak, and that makes me really sad. It was an incredible book, and I wish I could say the same about his others.
Protect the diamondsThis description of I Am the Messenger sounds interesting enough, when you know that it’s about Ed receiving playing cards in the mail with special instructions written on them from an anonymous source, but I was honestly just bored with most of the story, even while listening to the audiobook. This book reminded me of Zusak’s Underdogs trilogy, probably because of the personality of the main character. I didn’t really like those books, and I didn’t really care for this story either. There was nothing inherently wrong with it—it’s a really neat, well-written story—but it just wasn’t for me.
Survive the clubs
Dig deep through the spades
Feel the hearts
Ed was a fine character, but I didn’t particularly connect with him or like him. I didn’t dislike him either though. I did think the book’s plot was smart. The ending was pretty great too, and although I should have guessed it, I didn’t. But then the actual ending after the reveal was disappointing and left me with the obvious questions of who? I don’t like not getting answers in my books.
I like the message of this book: everyone is struggling with something and everyone needs help, and anyone can benefit and feel better after serving another. I think that’s a great takeaway.
Although this book grew on me the more I read it, I was still just feeling very meh about the whole thing by the end.
If I Am the Messenger wasn’t written by Markus Zusak, I doubt I would have read it. This is my fifth book by him, and the only good one was The Book Thief, unfortunately. I wish I liked them all, but I don’t. I still have Bridge of Clay left but once I read that I’ll have read all Zusak’s books. That one’s a similar situation: I don’t think I would read it if it wasn’t by Zusak, but because it is, I do want to read it. But I also don’t think I’m going to like it though, just based on what I’ve heard about the story and what I know about my own reading tastes. I’m becoming increasingly convinced that The Book Thief was a one-hit-wonder by Zusak, and that makes me really sad. It was an incredible book, and I wish I could say the same about his others.
Tuesday, July 23, 2019
Review: WILDER GIRLS by Rory Power
Rating: 2.5/5 stars
Wilder Girls has such a cool premise: girls stranded on an island, a toxin taking over their bodies, a story reminisce of Lord of the Flies but with girls. Plus that cover is absolutely stunning. But the inside just didn’t live up to the incredible story it could have been.
This book started out strong and had amazing potential, but so much is missing. At the end, I felt like I had read the middle 70% of a manuscript but didn’t get the 20% of backstory at the beginning or the 10% of resolution at the end, so all I’m left with is the middle and whole ton of questions.
The first thing I noticed about this book was the writing style. It seemed very choppy to me, sentence fragments everywhere but not done well. I know sometimes that’s a stylistic choice but it shouldn’t have been here because it was jarring, honestly, every time I saw a sentence dangling like that without a subject. This is Rory Power’s first book, and you can tell in the writing. I did get used to it as I kept reading, but I still don’t think it was very well written. The story, however, was compelling even though I didn’t love the writing style.
The characters were so flat and forgettable and not developed well at all. They each had their symptoms of the Tox, yet those “defining features” didn’t stick in my mind, other than that of Hetty’s lone eye. There could have been more emphasis on how they each were afflicted with the Tox, as well as more distinct attributes listed because most of the characters felt very one-dimensional and unimportant, and I had trouble picturing them. And then when characters after characters died, I felt nothing, had no attachment to them, because they weren’t developed at all; each was nothing more than a name. And honestly, even the three main protagonists are rather forgettable. What color hair do they have? I have no idea. I hardly know who they are or how they feel even after finishing the book. Also, I found it to be curious that after living in an enclosed space with the same sixty girls for two years, Hetty didn’t even know some of their names. This just adds to the fact of the weak characterization in this book.
On top of the under-developed characters, I couldn’t believe how minimal and forced the romance was, especially after all the times I’ve seen this book described as “sapphic” and “so queer.” It is not. Hetty never expressed her feelings for Reese during the first third of the book and then when she starts talking about them she says how she’s felt that way for years and I wasn’t buying it. It came out of nowhere without any foreshadowing that they could have actually liked each other as mere friends, nonetheless had romantic feelings for one another. Then the relationship was never brought up again during the rest of the book. Hetty and Reese spent a lot of time together for the back half of the story, yet they never held hands, cuddled, kissed, or did anything to indicate that they had confessed their feelings to each other only days before. Honestly, there was no romance at all in this book, and I can’t believe how excited people are getting over that sad excuse for a sapphic romance. The author should have eliminated the “romance” completely and focused only on the friendship to make for a stronger story since the entire plot is focused on friendship anyway.
I had trouble picturing the setting of this book. The island was way bigger than I ever imagined it to be for all the events taking place to work out properly and for all those animals to be hiding in the forests for years without them all being shot. I wish we got some dimensions about how long the island was and other defining factors that would help create the image, especially at the end when they reach a new end of the island they haven’t seen before, like where did that come from?
There seemed to be lots of little holes in this story that distanced me from the excitement of the plot, details that were missing that pulled me back to reality that I had to just brush aside and ignore, and that really bothered me. I didn’t feel like I could be fully immersed in the story like I wanted to when I was focusing so much on the small but necessary pieces of information. It’s the little things that make a story feel cohesive and realistic, and unfortunately what this book was missing was the little things. That and the entire backstory.
One thing I did enjoy was that the author was pretty explicit in the awful, creepy things happening at the school and didn’t try to be nice to the girls for the readers’ sakes; there is a lot of brutality in here and it’s stated outright, which I appreciated. I cannot stand when something terrifying is about to happen and then an author is like “just kidding, I don’t want to hurt my readers,” like absolutely not, I want to feel pain and emotions while I’m reading, don’t pull the punches. I’m happy to say this book delivered on that front.
But even the creepiness couldn’t save the book after that ending. There was no resolution at the end. The story just ended when it shouldn’t have and it needed another fifty pages or so to properly explain everything; there were a lot of questions left unanswered. The idea behind the story captivated me but the execution of the story was a letdown. I expected more than was delivered, and that makes me really sad. Unanswered questions (and unused potential) is one of my biggest pet peeves while reading. It feels like the author didn’t have a good reason for why everything was the way it was and how it got that way, specifically regarding the Tox and how it started or what it even was, so she just didn’t include any necessary details at all and left out all that necessary development. That is not a good writing technique and it only served to frustrate me and make the book feel incomplete and unrealistic.
I’m so bothered and upset by the egregious lack of information in this story. I need a logical explanation of events in books, especially dystopian ones, and Wilder Girls did not explain anything. I couldn’t get behind the story or feel like it was realistic or anything because so much was missing. This book could have been amazing, but it wasn’t. I waited the whole story for all the details and reveals to come together at the end, but they didn’t. I still cannot believe it ended how it did, with nothing revealed to us. It completely sets up for a sequel, but I was under the impression this is a standalone story, as it should be. There just needs to be way more substance in this volume than what we got.
Wilder Girls needed a better substantive editor to help with the major overarching problems of the story. A good editor could have helped Rory craft a beautiful story that delivered on its promise and answered all the questions and had a satisfying ending, but instead it felt like this book skipped that editing stage and went straight to copyediting. This is a book that desperately needed a lot of editing help that it sadly didn’t receive.
I was debating whether to give Wilder Girls three or four stars the entire time I was reading it, but after that ending and not getting any answers, I was then debating between two and three because of how disappointed I was. I enjoyed the story quite a bit and found it to have an engaging plot throughout, but so many elements were lacking for me that ultimately I settled on two stars. The characters needed more depth and development, the romance was forced and unnecessary, the writing was amateur, the main questions surrounding the plot of the story were not answered or even touched upon, the ending was weak with no resolution, and so many crucial details of the story were missing that it resulted in gaping holes in the narrative and a lack of logical explanations. The edge-of-your-seat plot was the strong point of this book, but I had to overlook so many missteps to have it all make sense in my mind, even when I knew it wasn’t plausible. The most compelling plotline and what I was most excited to read about wasn’t even explained in the book, and that is very sad.
I obviously still have some questions about events in Wilder Girls, questions that, if answered in the story, would have enhanced my reading experience and the overall quality of the book. SPOILERS AHEAD.
[—How did the Tox start in the first place; like what caused it, and when? We never find that out because we never see a cure for it. I hate when there’s a disease in a dystopian story and we never learn the origin of it.
—Similarly, how did it get to Raxter without affecting the mainland? How did it spread? Why did it infect girls their age? Was the worm actually the Tox? Because Byatt did not get better after it was removed, like I still don’t know if she even lived or not at the end. And how did the worms get inside them? Give me literally any information about the Tox, please, because we got nothing.
—Why did Reese and Hetty leave all the girls back at the school to be eaten by the bear and blown up by the jet? I absolutely could not believe that, after everything they’d done to save everyone—Hetty put herself in danger to save some random girl from the freaking bear and they dragged the bodies out of the music room after they were gassed—they leave all the girls to die. They seriously leave everyone behind. I thought they’d go back, but nope. What was all that about?
—How did the CDC/Navy/Headmistress know that the quarantine had been broken? That was never explained either, only that they knew one of the girls had been out. Do they have hidden cameras, sensors that can tell when someone leaves the building, or some other means of knowing?
—What exactly were they doing to Byatt? What was she being tested for and what did the people ultimately hope to find? We never learned this information either and I was bothered not knowing that. They kept testing her, injecting her, drugging her, and likely doing the same to many girls before her, but all for what purpose? They said they were experimenting on the food and wanted to experiment on the girls, but what were they trying to figure out?
—We need to know more about what’s happening on the mainland. Do people know the island is infected? Do people know the Tox even exists? What are the goals and motivations of the people in charge?
—Hetty and Reese know that the jets are coming to blow up the island, yet the set out in a boat toward the mainland. You would think that if a plane was flying over ocean, it would see a boat moving away from the island and know that the girls are escaping, yet this idea was never brought up. How were they not seen though? And why didn’t the jets blow up the medical building on the island when it flew over it when the girls were inside? I don’t understand, seriously, there are so many plot holes I’m going crazy.]
I read an ARC of this book, and I sincerely hope the finished copy is different and actually contains the much-needed answers that were lacking. If you have read the finished copy and disagreed with anything I noted in this review, please let me know, because I will reread this whole book in its finished form if it is actually different.
Wilder Girls has such a cool premise: girls stranded on an island, a toxin taking over their bodies, a story reminisce of Lord of the Flies but with girls. Plus that cover is absolutely stunning. But the inside just didn’t live up to the incredible story it could have been.
This book started out strong and had amazing potential, but so much is missing. At the end, I felt like I had read the middle 70% of a manuscript but didn’t get the 20% of backstory at the beginning or the 10% of resolution at the end, so all I’m left with is the middle and whole ton of questions.
The first thing I noticed about this book was the writing style. It seemed very choppy to me, sentence fragments everywhere but not done well. I know sometimes that’s a stylistic choice but it shouldn’t have been here because it was jarring, honestly, every time I saw a sentence dangling like that without a subject. This is Rory Power’s first book, and you can tell in the writing. I did get used to it as I kept reading, but I still don’t think it was very well written. The story, however, was compelling even though I didn’t love the writing style.
The characters were so flat and forgettable and not developed well at all. They each had their symptoms of the Tox, yet those “defining features” didn’t stick in my mind, other than that of Hetty’s lone eye. There could have been more emphasis on how they each were afflicted with the Tox, as well as more distinct attributes listed because most of the characters felt very one-dimensional and unimportant, and I had trouble picturing them. And then when characters after characters died, I felt nothing, had no attachment to them, because they weren’t developed at all; each was nothing more than a name. And honestly, even the three main protagonists are rather forgettable. What color hair do they have? I have no idea. I hardly know who they are or how they feel even after finishing the book. Also, I found it to be curious that after living in an enclosed space with the same sixty girls for two years, Hetty didn’t even know some of their names. This just adds to the fact of the weak characterization in this book.
On top of the under-developed characters, I couldn’t believe how minimal and forced the romance was, especially after all the times I’ve seen this book described as “sapphic” and “so queer.” It is not. Hetty never expressed her feelings for Reese during the first third of the book and then when she starts talking about them she says how she’s felt that way for years and I wasn’t buying it. It came out of nowhere without any foreshadowing that they could have actually liked each other as mere friends, nonetheless had romantic feelings for one another. Then the relationship was never brought up again during the rest of the book. Hetty and Reese spent a lot of time together for the back half of the story, yet they never held hands, cuddled, kissed, or did anything to indicate that they had confessed their feelings to each other only days before. Honestly, there was no romance at all in this book, and I can’t believe how excited people are getting over that sad excuse for a sapphic romance. The author should have eliminated the “romance” completely and focused only on the friendship to make for a stronger story since the entire plot is focused on friendship anyway.
I had trouble picturing the setting of this book. The island was way bigger than I ever imagined it to be for all the events taking place to work out properly and for all those animals to be hiding in the forests for years without them all being shot. I wish we got some dimensions about how long the island was and other defining factors that would help create the image, especially at the end when they reach a new end of the island they haven’t seen before, like where did that come from?
There seemed to be lots of little holes in this story that distanced me from the excitement of the plot, details that were missing that pulled me back to reality that I had to just brush aside and ignore, and that really bothered me. I didn’t feel like I could be fully immersed in the story like I wanted to when I was focusing so much on the small but necessary pieces of information. It’s the little things that make a story feel cohesive and realistic, and unfortunately what this book was missing was the little things. That and the entire backstory.
One thing I did enjoy was that the author was pretty explicit in the awful, creepy things happening at the school and didn’t try to be nice to the girls for the readers’ sakes; there is a lot of brutality in here and it’s stated outright, which I appreciated. I cannot stand when something terrifying is about to happen and then an author is like “just kidding, I don’t want to hurt my readers,” like absolutely not, I want to feel pain and emotions while I’m reading, don’t pull the punches. I’m happy to say this book delivered on that front.
But even the creepiness couldn’t save the book after that ending. There was no resolution at the end. The story just ended when it shouldn’t have and it needed another fifty pages or so to properly explain everything; there were a lot of questions left unanswered. The idea behind the story captivated me but the execution of the story was a letdown. I expected more than was delivered, and that makes me really sad. Unanswered questions (and unused potential) is one of my biggest pet peeves while reading. It feels like the author didn’t have a good reason for why everything was the way it was and how it got that way, specifically regarding the Tox and how it started or what it even was, so she just didn’t include any necessary details at all and left out all that necessary development. That is not a good writing technique and it only served to frustrate me and make the book feel incomplete and unrealistic.
I’m so bothered and upset by the egregious lack of information in this story. I need a logical explanation of events in books, especially dystopian ones, and Wilder Girls did not explain anything. I couldn’t get behind the story or feel like it was realistic or anything because so much was missing. This book could have been amazing, but it wasn’t. I waited the whole story for all the details and reveals to come together at the end, but they didn’t. I still cannot believe it ended how it did, with nothing revealed to us. It completely sets up for a sequel, but I was under the impression this is a standalone story, as it should be. There just needs to be way more substance in this volume than what we got.
Wilder Girls needed a better substantive editor to help with the major overarching problems of the story. A good editor could have helped Rory craft a beautiful story that delivered on its promise and answered all the questions and had a satisfying ending, but instead it felt like this book skipped that editing stage and went straight to copyediting. This is a book that desperately needed a lot of editing help that it sadly didn’t receive.
I was debating whether to give Wilder Girls three or four stars the entire time I was reading it, but after that ending and not getting any answers, I was then debating between two and three because of how disappointed I was. I enjoyed the story quite a bit and found it to have an engaging plot throughout, but so many elements were lacking for me that ultimately I settled on two stars. The characters needed more depth and development, the romance was forced and unnecessary, the writing was amateur, the main questions surrounding the plot of the story were not answered or even touched upon, the ending was weak with no resolution, and so many crucial details of the story were missing that it resulted in gaping holes in the narrative and a lack of logical explanations. The edge-of-your-seat plot was the strong point of this book, but I had to overlook so many missteps to have it all make sense in my mind, even when I knew it wasn’t plausible. The most compelling plotline and what I was most excited to read about wasn’t even explained in the book, and that is very sad.
I obviously still have some questions about events in Wilder Girls, questions that, if answered in the story, would have enhanced my reading experience and the overall quality of the book. SPOILERS AHEAD.
[—How did the Tox start in the first place; like what caused it, and when? We never find that out because we never see a cure for it. I hate when there’s a disease in a dystopian story and we never learn the origin of it.
—Similarly, how did it get to Raxter without affecting the mainland? How did it spread? Why did it infect girls their age? Was the worm actually the Tox? Because Byatt did not get better after it was removed, like I still don’t know if she even lived or not at the end. And how did the worms get inside them? Give me literally any information about the Tox, please, because we got nothing.
—Why did Reese and Hetty leave all the girls back at the school to be eaten by the bear and blown up by the jet? I absolutely could not believe that, after everything they’d done to save everyone—Hetty put herself in danger to save some random girl from the freaking bear and they dragged the bodies out of the music room after they were gassed—they leave all the girls to die. They seriously leave everyone behind. I thought they’d go back, but nope. What was all that about?
—How did the CDC/Navy/Headmistress know that the quarantine had been broken? That was never explained either, only that they knew one of the girls had been out. Do they have hidden cameras, sensors that can tell when someone leaves the building, or some other means of knowing?
—What exactly were they doing to Byatt? What was she being tested for and what did the people ultimately hope to find? We never learned this information either and I was bothered not knowing that. They kept testing her, injecting her, drugging her, and likely doing the same to many girls before her, but all for what purpose? They said they were experimenting on the food and wanted to experiment on the girls, but what were they trying to figure out?
—We need to know more about what’s happening on the mainland. Do people know the island is infected? Do people know the Tox even exists? What are the goals and motivations of the people in charge?
—Hetty and Reese know that the jets are coming to blow up the island, yet the set out in a boat toward the mainland. You would think that if a plane was flying over ocean, it would see a boat moving away from the island and know that the girls are escaping, yet this idea was never brought up. How were they not seen though? And why didn’t the jets blow up the medical building on the island when it flew over it when the girls were inside? I don’t understand, seriously, there are so many plot holes I’m going crazy.]
I read an ARC of this book, and I sincerely hope the finished copy is different and actually contains the much-needed answers that were lacking. If you have read the finished copy and disagreed with anything I noted in this review, please let me know, because I will reread this whole book in its finished form if it is actually different.
Review: SHADOWS FOR SILENCE IN THE FORESTS OF HELL by Brandon Sanderson
Rating: 4.5/5 stars
In my effort to read all of Sanderson’s stories, I picked up this novella about a woman named Silence who’s a bounty hunter on a dangerous planet.
I liked this story a lot. It was neat how it started and ended with a chapter from Daggon’s perspective to frame the rest of the story from Silence’s point of view.
The characters were all great, and the world, almost entirely covered in forests, was really cool too. I would have liked to know more about the shades in the story, though. Brandon Sanderson always has such unique worlds and concepts and this is no different.
This is a self-contained story, but I would still like to see more of this planet that we only got a small glimpse of. I’m curious to see what other stories will take place in this world in the future. How is it important to the cosmere overall?
I don’t have much more to say about this novella other than that I really liked it and would recommend it.
In my effort to read all of Sanderson’s stories, I picked up this novella about a woman named Silence who’s a bounty hunter on a dangerous planet.
I liked this story a lot. It was neat how it started and ended with a chapter from Daggon’s perspective to frame the rest of the story from Silence’s point of view.
The characters were all great, and the world, almost entirely covered in forests, was really cool too. I would have liked to know more about the shades in the story, though. Brandon Sanderson always has such unique worlds and concepts and this is no different.
This is a self-contained story, but I would still like to see more of this planet that we only got a small glimpse of. I’m curious to see what other stories will take place in this world in the future. How is it important to the cosmere overall?
I don’t have much more to say about this novella other than that I really liked it and would recommend it.
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