Sunday, August 26, 2018

Review: LORD OF SHADOWS by Cassandra Clare

Rating: 5/5 stars

The characters in Lord of Shadows are just so excellent. Every character has such a distinct, dynamic personality, and I really loved that. Julian might be my favorite, just because of how much he cares about his siblings and how he will go to any lengths to protect the people he loves.

Emma was great, too. She is turning out to be fierce just like Clary, but she still has her own voice. I liked watching her work to overcome struggle after struggle. Also, I love Emma’s obsession with chocolate that is prevalent throughout the book.
“We’ll have to get our energy the old-fashioned way.”
Mark looked puzzled. “Drugs?”
“Chocolate,” Emma said. “I brought chocolate. Mark, where do you even come up with these things?”
Kit was also excellent, and I’m glad to see him becoming more of a regular in this series and learning the ways of the Shadowhunters. I love his relationship with Tiberius, who is such a precious ray of sunshine. As I said in my review of Lady Midnight, I really enjoy seeing all of Julian’s siblings playing important roles in the story. I’m glad that Mark’s role got bigger in Lord of Shadows, too, because I love Mark. He is just different from the others, and I feel that he is the trustworthy friend that everyone needs.

What’s nice about Cassandra Clare’s books is that no matter how many points-of-view they’re told from (and this one had so many I lost count), it never feels confusing or overwhelming. Because the entire story is third-person POV and has such a large cast of characters, it feels natural to hear from so many of those characters. It keeps everyone’s story straight since there are a lot of things happening at the same time with different characters in different locations. It’s like in a movie when it switches between scenes of different people—that’s how this book (and all her books, really) felt, and I really enjoyed it. I will add, though, that I listened to this book on audio, so I don’t know if that influenced my ability to keep viewpoints straight or not.

Something else that’s neat about this series is how Clare subtly includes lots of diversity. I rather dislike when a person’s race or sexual orientation becomes who they are, and they seem to have no other defining traits aside from that, but that was not the case at all with any of the characters in this book. There was lots of representation, which was great to see, but no one made a big deal about it, which seemed very natural to me and added to the excellence of this story.

The ending of the book slayed me. So many questions left unanswered and details dangling in the air waiting for more information to come. I am so excited to read Queen of Air and Darkness later this year. This is one of the only times I can think of when I read a book and had to wait for the next book to be published. I very rarely start series that are not complete because I don’t want to lose interest in a story or forget what happened in previous books while I’m waiting for a new book, but after binge-reading The Mortal Instruments and some of The Infernal Devices, plus Tales from the Shadowhunter Academy, I only wanted more stories set in this world and decided to start Lady Midnight right away. I am so glad I did because now I have something to look forward to later this year. Lord of Shadows’s ending was utterly insane with many unexpected events happening, and I really want to know what happens next.

I realized when reading this book how cool it actually is that Clare keeps writing books in this world. If you think about any fantasy series, when the last book ends it’s not like there are never any problems or villains ever again and life goes back to being boring; no, there will always be more adventures to go on and enemies to fight. But, as readers, we are just supposed to imagine the future for the characters and infer what would happen after the end, even after a really good ending that wraps everything up. But what’s so awesome about all the Shadowhunter books is that we do get to see a future for the Mortal Instruments characters in the Dark Artifices series. Clary and Jace still show up even though only as cameos now, but it’s still neat to see what happened after the “happily ever after” at the end of City of Heavenly Fire. And even then, that secondary trilogy was what happened after City of Glass. I guess this is a rather obvious observation, but I never thought about it before and it makes me happy.

After eleven Shadowhunter books, I can say that Lord of Shadows was the best one yet. The plot was fast-paced and interesting, the characters were so realistic and experienced great development and relationships, and the overall writing was engaging enough throughout the 700-page tome that I never felt like the story was dragging. I honestly was so invested in the book that I didn’t stop reading to write my review (which I usually do in segments throughout a book) until it was over. Because of that, I do not have much to say as far as spoilers or specific details go, but just know this book was excellent. If you liked any of the books that take place in the Shadowhunter universe so far, I would highly recommend reading The Dark Artifices.

Friday, August 17, 2018

Review: SINCE YOU'VE BEEN GONE by Morgan Matson

Rating: 4/5 stars

I picked this book up amid my fantasy craze because I wanted to read a summery contemporary while it was actually still summer outside, and I was not disappointed. This book was cute and adventurous, I ended up really liking it.

Unfortunately, though, the book got off to a bad start for me. I felt like the first two chapters (chapter two especially) were way too long and drawn out, detailing almost every minute of Emily’s life. The book moved very slowly, and I found myself wondering why so many of those details were pertinent or even included in the story. It really bogged down the book right from the start, plus I was put off because I was noticing a lot of minor errors, things not really worth mentioning but that should have been caught by an editor. One example that really bothered me is this: Frank, as a high school student, was in charge of the bank deposits for his job. There is no way a teenager, who has been working at his job for only two weeks and isn’t even the manager, would be trusted to handle taking a large sum of money to the bank. That’s very unbelievable and unrealistic, and the one thing I want out of a book is a realistic story (just to clarify, fantasy can be realistic too, but it has to be realistic within its own world).

On top of that, something else that really bothered me in the beginning was that the dialogue was badly broken up. Someone would ask a question on the first line of a page, and the question wouldn’t be answered until the last line of the page, or sometimes even the next page. By the time it was answered, I had forgotten what the question was and had to backtrack to find out. It was common in the first couple of chapters for a one-minute conversation to span several pages because of all the description mixed in with the few lines of dialogue. This was very distracting to read and poor structuring in my opinion. Thankfully, this was really only a problem at the beginning, and the story did pick up quite a bit as I continued reading it. It’s honestly surprising to me how much I ended up liking this book after that rocky start.

So this book is about Emily, who’s ready to have the best summer ever, only to discover that her best friend, Sloane, has disappeared without a word. The only clue Emily has is a list she received from Sloane of thirteen things for her to do, tasks that are way beyond Emily’s comfort zone. Believing that completing the list will lead her to Sloane, Emily makes it her summer goal to accomplish all thirteen items.

Something I enjoyed was that Emily would say she was going to accomplish a specific thing on the list next, but then the next chapter’s title would be a different objective on the list. I liked that it was unpredictable in that manner, that Emily’s intentions turned into something else. It kept my curiosity piqued throughout the book about what she would actually do next. I was also glad to see that the things Emily was doing led her to take chances that helped her to grow and become more comfortable with herself.

When Emily mentioned that her playwright parents were working on a new script and were basically shut-ins during this time, I rolled my eyes because that’s just a way to write parents out of a young adult novel. I see way too often books where the teenagers are roaming free with no parental control, and that’s just so unrealistic to me. However, I am happy to say that this book did not live up to that expectation. Despite being engrossed in their play, Emily’s parents were still present in the book more than I expected, and they still disciplined her. I thought this was a much more realistic approach because, at least for me, my mom was very involved in my life as a teenager. We got to see Emily trying to evade her parents’ notice at times, which I totally get, instead of her just acting like they don’t care. Unfortunately, this was only the case with Emily’s parents. Frank’s parents, on the other hand, were completely absent and unresponsible, and I just cannot see two parents leaving their teenage son home alone for basically the entire summer. That is asking for trouble. So the absent-parent-syndrome still affects this book, but not as much as I originally thought it would.

For some reason, ever since about mid-college, whenever I read contemporary books with characters in high school, I always feel like I’m too old for those books. Like I would have loved them in high school when I could’ve immediately related to the characters because of our shared ages and stages in life, but now that I’m past that point, those books just don’t feel like they’re for me anymore. I loved contemporary when I was younger—in fact, it was the only genre I read for most of my childhood—but now I just struggle with it when it’s of the young adult category. Adult contemporary books or non-contemporary books (fantasy, sci-fi, historical fiction, etc.) with high-school-aged characters are fine though, and I have no problem reading those. But Since You’ve Been Gone is a young adult contemporary with a 17-year-old protagonist, and while I did really like the book, I know I would have absolutely loved it if I were still 16 or 17, when what Emily was going through was similar to my own experiences. It is really sad for me that I don’t feel like I can fully relate to young adult contemporaries anymore since a lot of them, this book included, are great stories that tackle real issues teens might be facing. That being said, I do not believe I will ever stop reading young adult contemporaries, but the number I read does decrease year by year.

I had a good time reading Since You’ve Been Gone. It kept my attention throughout the whole book in that I didn’t feel like I needed to take a break every few chapters, which is usually how I read. I do want to check out more of Morgan Matson’s books, although this one sounded the most interesting to me so I don’t know if I will like the others as much. Overall, I would recommend this book if you’re looking for a nice summer read about friends, a clean romance, a mystery aspect, and a great adventure.

Thursday, August 16, 2018

Review: HUMANS OF NEW YORK by Brandon Stanton

Rating: 4/5 stars

I really don’t have much to say about this book. I’ve heard of both the blog and the Facebook page called Humans of New York, but I never followed either of them before. I saw this book at a library sale this week and it intrigued me, as I have a deep appreciation for photography, so I decided to give it a shot. I ended up really enjoying it.

The photographs are beautiful and candid, capturing the extremists as well as the ordinary people in all boroughs of New York. I’ve never been to New York, and I’ve never really had the desire to go because I don’t like big cities, but this book may have changed that for me, at least a little bit. I want to have the experience of New York City, at least once.

Honestly, looking at these photographs and reading the captions or quotations from the people in them was really eye-opening for me. There are so many people on this planet, and everyone is so different. I’m really only familiar with my own culture, but there are so many cultures out there, even just in New York, that I know nothing about, and I got to see glimpses of them through Stanton’s work in this book. I love seeing how people express themselves. And something I learned about myself while reading this book is that how I want to dress and how I do dress are totally different styles. I need to work on my own self-expression.

Monday, August 13, 2018

Review: LADY MIDNIGHT by Cassandra Clare

Rating: 4/5 stars

Dead bodies are being found all over Los Angeles with strange markings on them, four years after the end of the Dark War. Emma’s parents were found dead the same way, so she’s convinced that the deaths are related. She sets out to investigate the murders and, in the process of uncovering the truth, learns a lot about herself and makes new friends (and enemies). I thought Lady Midnight was a refreshing new Shadowhunter book.

I loved the prologue and it really got me excited to read the rest of the book. I learned about some things that have been going on in the shadow world since City of Heavenly Fire ended, plus I got a nice review of how the world worked.

I liked that Lady Midnight mentioned all the pertinent details we learned in Tales from the Shadowhunter Academy. After reading both books, I can say that I do not think reading Tales from the Shadowhunter Academy is necessary before Lady Midnight. In Lady Midnight, Clare tells us the outcome of the stories, but in Tales, we get the journey of the stories. The only story that I really think gives necessary information at all is “The Fiery Trial,” which features Emma and Julian when they became parabatai, as well as Clary getting a parabatai.

Lady Midnight was my tenth Shadowhunter book, yet I didn’t feel like the story was one I’d read before in this world. It was a new story and it was relevant to these new characters. I love that the story does follow new characters on the other side of the country that are not related to the people in the Mortal Instruments. (I get that Jace is like the “coolest Shadowhunter ever” but not everything has to involve him.) It broadened the world of Shadowhunters for me and showed that not all problems are big enough for the whole world and the Clave to get involved in, yet the story was still big enough to be important to Emma and Julian and their crew.

Speaking of our new characters, I like Emma a lot more in this book than I did in City of Heavenly Fire. I’m glad that she speaks and acts more like an adult now. She’s grown up a lot in the past four years since the end of the Dark War, when she acted about 8 instead of 12. She was less irritating in this book, which I greatly appreciated.

I also liked Julian a lot. He is such a great “father” to his four younger siblings, and I appreciated seeing his struggles to be a good Shadowhunter while also caring for his family. The family dynamics were much different in this book than we have seen before in Clare’s books, which was a breath of fresh air. I also love that Julian came from such a big family. He had four siblings, two half-siblings, and Emma, who lives with him at the Institute. So often in books I see characters being an only child or having one or two siblings, but having six siblings is rare. I’m glad that each of his brothers and sisters had a part in this story, too, and weren’t just disposable side characters. I hope they continue to play a big role in the rest of the series.

The tension between Julian and Emma was so strong, and I have no idea what’s going to happen to them. As parabatai, they aren’t allowed to fall in love, but a law cannot actually stop someone from feeling something. I am so glad it was explained WHY parabatai are forbidden to love each other, and it all makes sense. Somehow I feel like they will find a way to get around this by uncovering a new spell or somehow breaking their parabatai bond or something to allow them to legally fall in love, but I will have to read the next two books to see. Although the ending of the last chapter (pre-epilogue) has me shocked and I really don’t know what’s going to happen in the next book. Obviously something horribly wrong.

And the epilogue—that left me very confused. The thing did not actually occur to allow the thing that happened in the epilogue to actually happen, so how did it happen? Hopefully, this will be clarified in Lord of Shadows.

Another thing that left me confused was the short story at the end of the book, “A Long Conversation.” What is Clary’s issue and why is she dreading what she has to do? I hope this is addressed in another short story at the end of Lord of Shadows.

Overall, I really enjoyed Lady Midnight. I thought it was a strong addition to the Shadowhunter world and featured a great new cast of characters with a unique new problem to solve. I liked the ending and where the story is headed in the next book, and I can’t wait to go read it.

Do I think you need to read the whole Mortal Instruments series prior to reading Lady Midnight? No, this story stands on its own and all the facets of the Shadowhunter universe are explained as if you had never read the other books, so everything should make sense to a new reader. But do I think reading the other books will enhance your reading experience of this book? Yes, greatly so. Events that happened to these characters at the end of City of Heavenly Fire are addressed and having read that book will help those parts of this book make more sense. Plus, reading Clare’s other books helps you to be able to catch all the Easter eggs she planted in this book, which is just so fun.

Tuesday, July 31, 2018

Review: TALES FROM THE SHADOWHUNTER ACADEMY by Cassandra Clare

Rating: 3.5/5 stars

I wasn’t originally going to read this short story collection, but right after I read the prologue of Lady Midnight, a detail was revealed that intrigued me. Then I looked up this book and discovered it was about Simon, who I love, training to be a Shadowhunter. I had already hoped I would get to learn about that aspect of his story in Lady Midnight, so I decided to read this collection of stories before continuing with that book.

My ratings for each individual story:
  1. “Welcome to Shadowhunter Academy”—3/5 stars. This is a good story to give some background on the Academy (not sure if it’s relevant in other Shadowhunter books, though) and to show how Simon is adapting to the “new” Shadowhunter world when he goes to the Academy to train. It also features how Simon is handling his relationship with Isabelle after not remembering their past together.
  2. “The Lost Herondale”—3/5 stars. Simon is at the Academy learning to fight. Catarina Loss tells Simon a story of Tobias Herondale, in which Simon learns there’s a possible Herondale generation out there that don’t know they’re Shadowhunters.
  3. “The Whitechapel Fiend”—3.5/5 stars. This story is about guest lecturer Tessa Grey teaching the students at the Academy about Jack the Ripper. Fans of the Infernal Devices (of which I am not one) will probably enjoy this story because it features Will and their young child James. I didn’t care for the characters, but this still is an interesting story. At the end we also see Simon writing a letter to Isabelle.
  4. “Nothing but Shadows”—3/5 stars. This story is about the shy James Herondale, Will and Tessa’s son, as he goes to school and learns to make friends. I found this story to be way too drawn out, plus I didn’t really know (or care) who many of the characters were. However, I did enjoy the ending, and I think fans of the Herondales will enjoy this story.
  5. “The Evil We Love”—4/5 stars. In this story, Robert Lightwood tells the Academy about his time in the Circle as well as sharing his own intimate history with the students. I enjoyed seeing the flashbacks to the 1980s and learning some more details to strengthen the original story in the Mortal Instruments. There’s also more drama going on with Simon and Isabelle’s relationship in between the lectures.
  6. “Pale Kings and Princes”—3/5 stars. Helen Blackthorn comes to the Academy to tell a story to Simon and his classmates of her father, Andrew Blackthorn, and how he got involved with fairies. Also, Simon and Isabelle are trying to fix their relationship.
  7. “Bitter of Tongue”—3.5/5 stars. Simon meets up with Mark Blackthorn and they have a chat. I think this story is relevant if you plan to read Lady Midnight because something important happens at the end with some of the characters present in that book. 
  8. “The Fiery Trial”—4/5 stars. Part of this story is really weird, but the reason for that is eventually explained, and it made me appreciate what had happened. This story is ultimately about parabatai. Simon and Clary attend the parabatai ceremony for Julian and Emma all while considering the possibility of having parabatai for themselves. I would recommend reading this story before Lady Midnight.
  9. “Born to Endless Night”—4/5 stars. Magnus comes to the Academy to teach, and then an abandoned warlock baby shows up on its doorstep. Magnus and Alec have a deep discussion, then Simon and Alec have a deep discussion, and then Simon and Magnus have a deep discussion. I enjoyed the honesty in this story, and I think it’s my favorite one in the collection. Some important decisions are made that impact the future of our favorite main characters, and my guess is that this story is pertinent if you plan on reading The Red Scrolls of Magic.
  10. “Angels Twice Descending”—4/5 stars. Two years after entering the Academy, Simon drinks from the Mortal Cup and Ascends to Shadowhunter. This story wraps up the collection and ends on both a happy note and a sad note. [Spoiler: I am sad that George died because I could have seen him becoming part of the crew, but this side character’s fate felt inevitable, knowing how Clare writes her books. However, his death helped Simon choose a Shadowhunter name with meaning, so I appreciate that aspect of it. Still sad George died though.]


I liked that the stories were all connected in chronological order. I do not usually like or read short stories or novellas, but reading these all in order almost felt like reading an actual novel, except with really long chapters.

I was started listening to these as audiobooks, but halfway through, I checked out the book from the library to read along. I was pleasantly surprised to see that at the beginning of each story is a one-page comic-style illustration. I really enjoyed seeing these.

Overall, I enjoyed these stories, and I’m glad I read them before continuing on with Lady Midnight. I could tell a difference in Simon’s personality in this book compared to him in the Mortal Instruments, but that is to be expected since he lost all his memories, and also because this book was written by three other authors along with Cassandra Clare. He was more serious and less humorous, and his humor is one of the reasons I originally liked him, but by the end, I could see his old personality coming back.

For reference, you need to read all of the Mortal Instruments books before this one. I would also recommend reading the Infernal Devices prior to this book. I read only the first Infernal Devices book, and I wasn’t confused about any of these stories, so if you at least know the gist of that series then you will be fine. I would also recommend reading this book or at least looking at spoilers for all the stories before starting Lady Midnight.

Edit after reading Lady Midnight: All of the important details from Tales from the Shadowhunter Academy are explained in Lady Midnight, so that book will make complete sense even if you do not read this one first. It just depends if you merely want to hear the outcomes of these stories or if you want to experience the journey for yourself. I will say, though, that the one story I would recommend reading prior to Lady Midnight is “The Fiery Trial” because I think it is the most important story that pertains to the Dark Artifices trilogy, and also to the Mortal Instruments series. This is just my opinion though, and I know many other people prefer to read this whole story collection before continuing on with future books.

Review: DR. JEKYLL AND MR. HYDE by Robert Louis Stevenson

Rating: 3/5 stars

I’ve been trying to read more classics since I graduated from school. This was the shortest one on my shelf, so I picked it up to fulfill that goal. So far, I have not found any classics that I love. There are a few that I liked and a few that I didn’t like very much, but none that really stood out for me. I had been fascinated by the story of Dr. Jekyll and Mr. Hyde since I was little and first heard about it. I even watched a black and white film adaptation at one time, which was okay. I was hoping that the book would be much better, the kind of classic I was looking for; but alas, it was only okay as well. I didn’t enjoy, and didn’t even finish, Treasure Island by the same author, so maybe I just don’t have good luck with Stevenson.

To be honest, the book didn’t really happen how I expected it to. I don’t know what I expected, maybe more science-y stuff and for the story to be from Dr. Jekyll’s/Mr. Hyde’s point of view (because what does he actually do when he’s Mr. Hyde?), but it wasn’t like that. It read more like a collection of case files, gathering multiple points of view on Mr. Hyde and his situation from lawyers and other doctors.

I actually wish I had been able to read this book without knowing that Dr. Jekyll and Mr. Hyde are the same person. It’s common knowledge about the story—it even says as much on the back of the book—but it wasn’t actually revealed until almost the end of the book, so I guess it’s technically a spoiler. I think it’s interesting that plot descriptions of classical novels more often than not include spoilers and no one seems to care; whereas, if someone spoiled a modern book, people would be up in arms.

I wish I could have read this book in a school setting so I could have discussed it with others and also received intellectual insights about it because this is the kind of story to provoke profound discussions.

I really enjoyed the last chapter of her book from Dr. Jekyll’s perspective and he tells us everything we wanted to know about him being Mr. Hyde. It is curious to me that in the beginning, he enjoyed becoming Mr. Hyde because of the refuge; he could do anything and get away with it because, as he said, he didn’t really exist. But over time the dark personality took over until there was no Dr. Jekyll left. I do wonder why, though, he didn’t require a potion to turn into Mr. Hyde after some time. I guess it is for the same reason he kept requiring a higher dose to return to Dr. Jekyll: his evil personality became too strong.

Was Mr. Hyde a subconscious personality of Dr. Jekyll, or was he his own person altogether? It seems to start out the former and end the latter, with Mr. Hyde becoming the dominant personality until that’s all that is left.

“His terror of the gallows drove him to continually commit temporary suicide, and return to his subordinate station of a part instead of a person; but he loathed the necessity.”

The Signet Classic edition that I read contains an afterword by Don Chaon that I really enjoyed because it read like an intellectual essay. He opened my eyes to a lot of details of the story. He even discusses many of the dozens of interpretations of the novel, which I found to be the most interesting. Because of the overarching vagueness throughout the story, many interpretations appropriately fit the narrative.

This book presents an excellent view of the dichotomy between good and evil. No person is all one or all the other but a mix of the two. Which trait is more dominant? I think that depends if we prefer to be Dr. Jekyll or if we prefer to be Mr. Hyde.

Thursday, July 26, 2018

Review: THE WOMAN IN CABIN 10 by Ruth Ware

Rating: 3/5 stars

I am fairly new to the mystery/thriller genre and, likewise, new to Ruth Ware. And I was slightly . . . underwhelmed by this story.

The story is that Laura is a journalist on a very small cruise ship, and one night she thinks she witnesses someone being thrown overboard. A few hours prior, she also meets a girl who she can never seem to find again. Convinced these two events are connected, she goes on a hunt around the ship looking for evidence that what she saw really happened and looking for the girl.

The beginning was really slow. The first 80 or so pages seemed to be only background and pretext before Laura boarded the cruise ship, and I found it to be rather uninteresting. This definitely doesn’t start out as fast-paced as all the reviews made it out to be. Nevertheless, I continued reading.

As a whole, the story as a whole didn’t pick up for me or get interesting until chapter 22. That’s when I sat up straighter in my chair and suddenly became invested in what was happening with the plot. But even after things started to get good in chapter 22, and I finally thought I was past the slow stuff, then there were like 15 pages in a row with no dialogue during a rather intense scene and I was just dying while waiting for something to finally happen again.

At the end of each section, there’s a snippet of email, text, news, etc. that occurs a few days in the future, and this was my favorite part of the book because it really built the suspense for the story. I would read it and then be instantly curious how the situation ended up there in a few days’ time. However, I will say that it did give me details that led me to guess events, so I guess you could say these futuristic snippets contained spoilers for the story.

Even though I didn’t guess the main mystery surrounding the woman who was in cabin ten, I found a lot of minor details to be predictable, such as evidence going missing, Lo making certain decisions, why the woman was on the boat, etc. And even the ultimate end seemed rather predictable to me, especially since one of the characters literally tells Lo everything that’s happening when there’s still more than 60 pages left of the book. She tells Lo the who, the why, and the how. All of the answers I wanted were given in the span of a couple of pages. It felt cheap because I didn’t even get to solve the mystery myself as a reader because all the details were just spewed in my face. I kept hoping that there would be some big twist after that, that the information we got was wrong, but the rest of the book just kind of happens as expected with nothing left to solve, and I was left feeling disappointed that there wasn’t more of a mystery.

The very ending, as in the detail that we learn on the very last page, was already something I suspected from the beginning. I didn’t understand the fate assigned to a certain character because it was as if the book was trying to tell me that 1+1=3. The ending as a whole seemed to have a disconnect from the rest of the story, and I just thought it felt way too rushed and sloppy, especially in contrast to the meticulously slow beginning. [SPOILERS IN ITALICS: We knew that Anne died a while back, so when we first learned that a body had washed ashore, I thought it was hers. Then we find out there’s a second body and Richard was dead, so his was the second body. Then Lo just assumes the first body was Carrie’s, but like did she forget that Anne had been dead this whole time? That made no sense to me, and there was no basis for thinking that Carrie was dead; she pulled that assumption out of thin air. Was the author trying to get me to believe that Anne’s body just got lost at sea? I have no idea, but I never thought that Carrie died. It sounded to me like she killed Richard. So when the end reveals an anonymous donation from “Tiggers bounce,” it’s clear that’s from Carrie because of the conversation she and Lo had prior. Was I supposed to be shocked that Carrie is still alive? Because I wasn’t. All I felt was not confused anymore that there were only two bodies if Lo claimed three people had died. Also, something else that really bothered me was that Carrie appeared in Archer’s phone as Jess and that was never addressed again. Who is Jess? Was that actually Carrie? Why was this important detail completely forgotten?]

Even though I haven’t read any similar books, the plot did not feel original to me. I don’t know specifically what, but something was just off about this book. I wanted to love it, but I ended up merely liking it; I wouldn’t reread it or necessarily recommend it. I guess I was expecting a fast-paced thriller, but I felt only slightly amused, not thrilled, with this slow-paced plot.

I think Ware’s writing is engaging for the most part, and the book was a quicker read than I expected it to be. She kept me interested in the small details of what was happening, even if I wasn’t overly interested in the plot. Even for the first half of the book that was pretty slow, I never really felt like I wanted to put the book down; I wanted to keep learning details to uncover the mystery, even when many pages would go by with no new information. Something I saw her do in The Woman in Cabin 10 that I thought was quality mystery writing was to address many of the speculations that readers might be thinking. To give an unrelated example, in a horror film when the little girl walks toward the scary sound down the dark hall and the whole audience is shouting at her to turn back. I didn’t feel like this book was like that. Instead, the main character, Laura, would question everybody and everything, even to the point of asking obscure questions that I never guessed she would have thought of. I really appreciate when authors actually write their characters with common sense like this, and this applies to any genre.

Even though I didn’t love this book, I want to give Ruth Wade another chance. I’ve heard that The Death of Mrs. Westaway is a much different style and a better mystery overall than The Woman in Cabin 10, so I might read that one by her next. I also want to try out other mystery authors and discover whose styles I prefer the most because I am definitely interested in delving deeper into this genre.

Overall, I had a good time while reading this book, but I don’t think it was anything special. The story didn’t keep me hooked enough to read the whole book in a day or stay up late to fit in another chapter. I was hoping for a thriller that grabbed onto me and wouldn’t let me go until I reached the last page, and unfortunately, that was not this book.

Friday, July 20, 2018

Review: WHAT THE MOST SUCCESSFUL PEOPLE DO BEFORE BREAKFAST by Laura Vanderkam

Rating: 3.5/5 stars

I stumbled across this book when I was looking for a super short audiobook I could listen to this morning. Even though this book is mostly geared toward working moms, I think anyone looking to have a more productive morning will be able to gain insights from reading it.

Almost the entirety of what Vanderkam talks about regarding what successful people do before breakfast is to wake up early, such as at 5 a.m. or 6 a.m., and then work out. Our bodies produce stress hormones in the morning and working out in the morning counteracts those hormones. Also, if you work out in the afternoon or evening, then you spend all day dreading it; however, if you work out in the morning, then you can get it out of the way and can enjoy your day.

Mornings are also great for quality time with your family before you become distracted by the work-day tasks and the post-work exhaustion. I want to implement early morning family time into my days in the future when I have kids.

Every day is full of possibilities, and "these hours are available to all of us if we choose to use them," Vanderkam says. Waking up early is so important because, as she mentions, sleep restores willpower and allows our minds to be invigorated when we first wake up. It allows us to be more productive during the day.

This quick audiobook reads like a podcast, which I really enjoyed. Listening to something like this was a great, motivating way to start my morning. "When you make over your mornings, you can make over your life. That is what the most successful people know."